賽馬會「童理撐」性暴力受害人社區教育計劃
Jockey Club "Back U up" Community Education Project for Child Survivors of Sexual Violence
Jockey Club "Back U up" Community Education Project for Child Survivors of Sexual Violence
揭示性別在生活中的存在
不知道你有否想過，日常生活中，我們的自拍照、衣著，到生活空間如家居、運動場所、超級市場，再到家務分工、商品包裝、流行文化等，其實都與性別有關？從衣、食、住、行出發，480.0與藝術家們重現我們日常被隱藏或者假裝看不到的性別角度和權力關係。隱藏著神秘力量的性別啊，在我面前顯示你真正的力量吧！
Have you ever considered that in our daily lives, our selfies, clothing choices, living spaces such as homes, sports venues, supermarkets, as well as the division of household chores, product packaging, and popular culture, are all actually related to gender? Starting from clothing, food, housing, and transportation, 480.0 and the artists aim to reveal the hidden or often overlooked aspects of gender and power dynamics in our everyday lives. Oh, gender, hiding your mysterious power, reveal your true strength before me!
展覽日期 Date：2024.1.20 ～ 2024.4.28
（見預約表格 Please refer to the booking form）
（見預約表格 Please refer to the booking form）
場地 Venue：480.0性別 × 藝術空間 480.0 Gender & Art Space
*星期三、五、六、日為公眾開放時段，歡迎組織或院校預約星期一、二、四參觀
*Public visit on Wednesday, Friday, Saturday and Sunday. We welcome groups/schools/organisations to book sessions on Monday, Tuesday and Thursday.
只接受預約參觀 Appointments Only
活動內容請參考下頁。
展覽內容涉及性 / 別暴力，敬請留意。
This exhibition contains descriptions of gender based violence. Visitor discretion is advised.
共同策展人 Co-curator
黃嘉瀛 Wong Ka Ying @hedoesntgiveashit
黃嘉瀛，香港藝術家及策展人，於2013年獲香港中文大學藝術學士及於2021年獲香港浸會大學視覺藝術哲學碩士，現為香港中文大學文化研究博士生。策展項目、藝術創作及寫作散見於香港及其他城市之報刊、美術館及社區空間。
Wong Ka Ying (b. 1990) is an artist-curator and writer based in Hong Kong. She received her BFA degree from the Chinese University of Hong Kong in 2013 and the M.Phil. in Visual Arts from the Hong Kong Baptist University in 2021. She is currently pursuing her PhD degree in Cultural Studies in the Chinese University of Hong Kong.
A keen observer of the art community and society, Wong critically reflects on the various social, cultural, and gender issues today through using a wide range of media from performance to social media platform. Wong expresses passion in writing, curating and art education. She made an outward appearance on various public sharing, seminars, panel discussion and talks, actively engaging with the communities and art lovers.
In 2016, she formed the first female artist duo “COME INSIDE” with Hong Kong artist Mak Ying Tung as a way to attack the art world.
A keen observer of the art community and society, Wong critically reflects on the various social, cultural, and gender issues today through using a wide range of media from performance to social media platform. Wong expresses passion in writing, curating and art education. She made an outward appearance on various public sharing, seminars, panel discussion and talks, actively engaging with the communities and art lovers.
In 2016, she formed the first female artist duo “COME INSIDE” with Hong Kong artist Mak Ying Tung as a way to attack the art world.
參與藝術家 Artists
徐世琪 Angela Su
徐世琪的創作透過形態的蛻變、轉變與混合，關注身體的感知與表象。她的創作以研究為基礎，時常以繪畫、錄像、髮絲刺繡、表演及裝置的等形式呈現，檢視人類的存在與技術的發展之間的相互關係。虛實交織的錄像散文和文本是她作品中的核心元素。徐世琪的創作關注醫藥學歷史，她質疑生物醫學的主導論述，持續思考科技對過去、現在及未來的影響。
徐世琪現於香港居住和工作。
Angela Su’s works investigate the perception and imagery of the body, through metamorphosis, hybridity and transformation. Her research-based projects materialise in drawing, video, hair embroidery, performative and installation works, which explore the interrelations between our state of being and the advancement of technology. Central to these projects are video essays and texts that weave together fiction and facts, reality and fantasy. With focus on the history of medical science, her works question the dominant biomedical discourse, and contemplate the impact of technology on the past, present and future.
Su currently lives and works in Hong Kong.
Clara Wong @clara.bside
Clara Wong 喜歡讓空間作為其作品的觀眾，探索著舊工業區至大自然的時間與空間界限性，對材料的可塑性和它們承載的意識深感著迷。其作品植根於偶發與非偶然、哀悼與歡慶之間。由異地活動(off-site events)開始，與其他有趣的靈魂共作；創作媒介包括但不限於畫布上的、可穿戴的、雕刻和泥塑的、能吃和看似能吃的。最近的個人展覽為《降A小調前奏曲》”Prelude in A Minor Trauma” (2023)。
Clara Wong (b.1996) is an artist currently based in Hong Kong. Clara‘s interest to treat the space itself as an audience to the art pieces she made is piqued by spending time in environments like dated countryside industrial areas and the nature, that allows her to explore the liminality of space and tools of an era. Fascinated with the plasticity of materials and their meanings, Clara Wong’s work resides somewhere between the celebratory and funerary, happening and uncircumstantial. Her practice started with off-site (self-organised) events and collaborative projects with work that contains elements of ready-mades, edibles, wearables, painting and sculpting. The intersection of these art forms being put on canvas and other mediums provides an euphoric experience to herself. Her most recent solo presentation was "Prelude in A Minor Trauma (2023)" at Yi Tai, Art Central Hong Kong.
徐皓霖 Hou Lam Tsui @hltsui.png
徐皓霖（生於1997年）現於香港生活及工作。她的作品涵蓋多種媒介，包括流動影像、裝置、雕塑和文字，創作實踐圍繞性別、情感、身體和個人經歷展開。她亦從流行文化、動漫和電視廣告中汲取靈感，重新思考和探究能動性、消費慾望和身體商品化等概念。
徐於2018年獲英國列斯大學藝術及藝術史文學士。她現於香港中文大學攻讀藝術碩士。2022年，她的個人展覽「盲彎處」在香港獨立藝術空間RNH Space舉辦，聚焦愛的政治和女性身體媒介化。部分近期展覽包括「後人類敘事——以科學巫術之名」（香港醫學博物館，2022年）、「擴展的空間：破裂重序」（Tomorrow Maybe，由城市當代舞蹈團 / 跳格與香港逸東酒店共同呈獻，2022年），以及「貴腐」（Para Site藝術空間，香港，2021年）。
Hou Lam Tsui (b. 1997), is an artist based in Hong Kong. Her work encompasses a wide range of mediums, including moving images, installation, sculpture, and text. Her practice centres around gender, emotions, body, and personal experiences. Drawing inspiration from pop culture, anime, and TV commercials, Tsui critically explores the tension between agency and consumer desires and rethinks how capitalism shapes the commodification of bodies.
Tsui received a BA in Fine Art and History of Art from the University of Leeds in 2018. She is pursuing a Master of Fine Arts (M.F.A.) at the Chinese University of Hong Kong. She held her solo exhibition Blind Curve at Hong Kong's independent art space RNH Space in 2022 which revolves around the politics of love and the mediatisation of female bodies. Selected group exhibitions include Post-Human Narratives—In the Name of Scientific Witchery (Hong Kong Museum of Medical Sciences, 2022), and Expanded Space: Body Dis-ordered (Tomorrow Maybe, co-presented by CCDC / Jumping Frames and Eaton HK, Hong Kong, 2022), and Noble Rot (Para Site, Hong Kong, 2021).
麥影彤二 Mak2 @mak2protein
麥影彤二（1989年⽣於⾹港）於2023年從⾹港城市⼤學創意媒體學院接獲學⼠學位。她的作品通過對哲學、藝術史、⽂化、多變的社會政治環境、互聯網和新科技等的研究來反思⼆⼗⼀世紀所⾯臨的問題。她所創造的美感體驗，以幽默和強烈好奇⼼的⼆元論所連接。她的創作包括裝置、繪畫、素描、視頻作品、Youtube 視頻、脫⼝秀和濾鏡等。麥影彤二的標誌性作品包括《美好家園》（2019-）三聯畫系列以及曾展於MoMa PS1 和K11 Art Foundation 聯乘呈獻展覽「.com/.cn」的概念裝置作品《You Better Watch Out》（2017）。
Mak2 (b. 1989, Hong Kong) received her Bachelor of Arts from the School of Creative Media, City University of Hong Kong in 2023. Her practice contemplates 21st-century issues through the study of philosophy, art history, culture, shifting socio-political environments, the Internet, and new technology. The aesthetic experience she crafts is bound by the dualism of humor and intense inquisitiveness. She creates, installations, paintings, drawings, video work, Youtube videos, stand-up comedy routines, and Instagram filters. Mak2 is well known for her iconic triptych on canvas series Home Sweet Home (2019-) as well conceptual installations such as You Better Watch Out (2017), which was included in an exhibition presented by MoMa PS1 and K11 Art Foundation titled, .com/.cn.
Mak2 (b. 1989, Hong Kong) received her Bachelor of Arts from the School of Creative Media, City University of Hong Kong in 2023. Her practice contemplates 21st-century issues through the study of philosophy, art history, culture, shifting socio-political environments, the Internet, and new technology. The aesthetic experience she crafts is bound by the dualism of humor and intense inquisitiveness. She creates, installations, paintings, drawings, video work, Youtube videos, stand-up comedy routines, and Instagram filters. Mak2 is well known for her iconic triptych on canvas series Home Sweet Home (2019-) as well conceptual installations such as You Better Watch Out (2017), which was included in an exhibition presented by MoMa PS1 and K11 Art Foundation titled, .com/.cn.
廖家明 Jiaming Liao @augustleoo
廖家明於2019年從香港城市大學畢業並取得創意媒體藝術碩士學位。
他的創作從攝影延伸至錄像、裝置、表演等媒介。他最近的作品關注酷兒、身體、身份與語言。他視自己為穿梭於不同文化、媒介和維度之間的流浪者。
Liao Jiaming received his MFA in Creative Media from City University of Hong Kong in 2019.
Starting from photography, his creative practice expands to include different media such as video, installation and performance. His recent work focuses on queerness, body, identity and languages. He sees himself as a nomad, moving through different cultures, media and dimensions.
林雅莉 Yarli Allison @yarliallison
林雅莉是跨媒體藝術家，運用虛擬塑模、雕塑、錄像、裝置、詩詞、畫作和表演等媒介創作。她以一級榮譽學位畢業於英國倫敦大學學院斯萊德藝術學院的雕塑藝術碩士（2017），入學時取得Yitzhak Danziger獎學金。
她的作品曾於世界各地展出，包括多倫多、俄羅斯、雅典、香港、利物浦、曼徹斯特、倫敦以及多個國際電影節（2018－2023）等等。
近日她得到多國的藝術資助計劃，包括香港藝術發展局的項目資助及加拿大文化局的海外藝術家資助，亦在蘇富比藝術學院(2022)和香港浸會大學(2018)出任客席講者。近年接受英國廣播局電台（北愛爾蘭阿爾斯特地區）(2018)、衛報，旗幟晚報等等訪問(2022)。她是倫敦Asia-Art-Activism的成員。
Yarli Allison (she/they) - a Canadian-born, Hong Kongese art-worker based in the UK/Paris with an interdisciplinary approach that traverses sculpture, installation, CGI (VR/AR/3D modeling/game), moving-images, drawings, poetry, tattooing, and performances. Graduated in 2017 with an MFA first-class honour in Sculpture from The Slade School of Fine Art , University College London (UK), Yarli was granted the entry award of the year’s Yitzhak Danziger scholarship.
Yarli’s recent works (2021-22) were exhibited in HK, Austria, Liverpool, London, etc.
Recent grants include Arts Council England National Lottery Project Grant, and Canadian Council for the Arts Travel Grant. Yarli’s work was reviewed by Deborah Levy in Ivan Juritz Prize (2017), and featured in The Guardian, Evening Standard, and beyond (2022). They were invited as a guest speaker of Sotheby’s Institute of Art, London (2022), Academic of Visual Arts, HKBU and The Arts Show, BBC Radio Ulster (2018). They are a working member of Asia-Art-Activism and Asia Forum with different capacities.
Yarli’s recent works (2021-22) were exhibited in HK, Austria, Liverpool, London, etc.
Recent grants include Arts Council England National Lottery Project Grant, and Canadian Council for the Arts Travel Grant. Yarli’s work was reviewed by Deborah Levy in Ivan Juritz Prize (2017), and featured in The Guardian, Evening Standard, and beyond (2022). They were invited as a guest speaker of Sotheby’s Institute of Art, London (2022), Academic of Visual Arts, HKBU and The Arts Show, BBC Radio Ulster (2018). They are a working member of Asia-Art-Activism and Asia Forum with different capacities.
活動 Activities
解除封印導賞
參加由策展人或導賞員帶領的免費導賞團，探索展覽的策展理念，發掘每件展品背後的故事，並拆解日常生活中的性別迷思。我們更為中學、大專院校及團體提供教育導賞，開放討論環節，歡迎聯絡了解更多。
時段：逢星期六 14:00-15:30
對象：任何人士
注意事項：活動內容涉及性 / 別暴力題材，參加人士敬請留意
除了預設導賞時段外，歡迎所有學校、機構、團體或媒體組織5-15人電話預約團體導賞服務。
性別萬花筒
透過遊戲擴闊參加者對性別的理解，認識性別認同、性別表達和性傾向等概念，並反思性別二元化和性別定型對個人、社會的影響。活動讓參加者突破固有的性別框架，嘗試理解和擁抱更多元的性別文化。
日期：2024.2.24（六）
時間：14:00-15:30
對象：參加者需年滿12歲以上
注意事項：活動內容涉及性 / 別暴力題材，參加人士敬請留意
「我和粉紅色有個約會」聊天會
每人的生活中都有不少時候備受社會的性別觀念所影響。粉紅色現時多會被社會認為是女性專屬的陰柔顏色，但曾經這個顏色卻是男子氣概的象徵。在此聊天會，我們邀請到Common6談性空間的成員及共同策展人黃嘉瀛與大家一起來一場圍繞與粉紅色相關的生活經驗討論。反思顏色所隱藏的性/別定型為我們生活所帶來的限制。
日期：2024.3.2（六）
時間：17:00-19:00
對象：參加者需年滿12歲以上
注意事項：活動內容涉及性 / 別暴力題材，參加人士敬請留意
Make Magic! （不實用）肥皂工作坊
肥皂以及各式備有清潔、潔凈功用的產品總是象徵著社會對女性的期望：刻板的性別分工中由女性擔任清潔、打理家居的角色；將純潔、潔凈與女性形象聯繫在一起。本次工作坊將從肥皂的香味出發，思省香氛與性別之間的刻板聯想。工作坊鼓勵參加者「創造魔法」，跳出日常的框架，並突破對香氛和肥皂等清潔產品的固有想像，親手製作一塊沒有功用性的肥皂。
日期：
2024.3.16（六）- 工作坊（何文田Anti480反性暴力資源中心）
2024.3.23（六）- 取回成品及展覽導賞（480.0 性別×藝術空間）
時間：14:00-16:00
對象：參加者需年滿12歲以上
注意事項：
活動內容涉及性 / 暴力題材，參加人士敬請留意
由於肥皂定型需時，參加者未能即日取回成品。成品會於完成一星期後於油麻地480.0 性別×藝術空間開放領取。參加者參加此工作坊前請確保均能出席工作坊所定的兩個時段。
性別觀察練習
如果將性／別視角融入日常觀察，我們會如何探索這座城市的彩虹色？我們邀請到一坪半性別空間的成員，透過The Gaze Of Others Vol.1 (In)visible「探索式」酷兒出版的性別觀察練習，與參加者一同以性／別面向觀察我城。在練習過程中分享性／別經驗，深刻討論，也透過空間記憶、社區設計和群體互動形式進入性／別世界。
日期：2024.3.17（日）
時間：17:00-19:00
對象：參加者需年滿12歲以上
注意事項：活動內容涉及性 / 別暴力題材，參加人士敬請留意
與藝術家對話
邀請參展藝術家參與，分享創作過程和心得，闡述靈感如何轉化成作品，同時也提出問題，開放討論環節，讓公眾從生活日常反思性別暴力，一起探討如何透過藝術連結自身和性別議題。
日期：2024.4.27（六）
時間：15:30-17:30
對象：任何人士
注意事項：活動內容涉及性暴力題材，參加人士敬請留意
童年性暴力受害人的復元路上，支援者的角色尤關重要。有力的支援者能及早覺察受害人的處境並適時提供具同理心的援助和陪伴，反之，缺乏覺察力及同理心的支援者則有可能對受害人造成二度傷害。
由香港賽馬會慈善信託基金捐助，「童理撐」計劃透過一系列針對性的教育項目，提升大眾及專業人士有關性暴力的知識、援助受害人的技巧，亦會培養他們的覺察力及同理心，裝備他們成為受害人有力的支援者。